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Clybourne Park Page 9


  (LINDSEY returns.)

  LINDSEY

  So sorry.

  KEVIN

  Everything all right?

  LINDSEY

  (returning KATHY’s phone)

  It’s fine. It’s just, he said he was going to be in Seattle so we went ahead and scheduled this without him and now he’s feeling a little proprietary - Anyway. Blah blah.

  TOM

  So, we skipped ahead.

  LINDSEY

  Great.

  TOM

  To page three?

  KATHY

  Middle of three.

  TOM

  And since I think we’d all basically agree that –

  STEVE

  (to LINDSEY)

  Hey.

  (to TOM)

  Sorry.

  (to LINDSEY)

  What’s the capital of Morocco?

  LINDSEY

  The what?

  STEVE

  The capital.

  LINDSEY

  What are you talking about?

  STEVE

  Of Morocco.

  LINDSEY

  Why?

  STEVE

  Quick. Just –

  LINDSEY

  I have no idea.

  STEVE

  Yes you do.

  KATHY

  I said Marrakech.

  STEVE

  (to KATHY)

  LINDSEY

  Marrakech, yeah.

  No no, Let her –

  STEVE

  No. Rabat.

  LINDSEY

  Whatever.

  KEVIN

  (explaining to LINDSEY)

  Trying to figure out what it was.

  LINDSEY

  Why?

  STEVE

  She said she went to the capital of Morocco –

  LINDSEY

  So?

  STEVE

  – and it’s not the capital.

  LINDSEY

  (with a shrug)

  Maybe they changed it.

  STEVE

  (beat, then)

  Who?

  LINDSEY

  The Moroccans.

  STEVE

  To what?

  LINDSEY

  Whatever it is now

  STEVE

  Which is Rabat.

  LINDSEY

  Okay.

  TOM

  So –

  KATHY

  Oh, wait. You know what it is? It’s Timbuktu.

  STEVE

  … nnnnnnno?

  KATHY

  The old capital. The historic— (tapping her temple) That’s why I –because it was part of our package.

  STEVE

  Um. Timbuktu is in Mali.

  KATHY

  But the ancient capital.

  STEVE

  Yeah. Of Mali.

  LINDSEY

  I thought Mali was in the Pacific.

  STEVE

  (baffled)

  In – ?

  LINDSEY

  Where do they have the shadow puppets?

  STEVE

  (sputtering)

  Are you talking about Bali?

  KATHY

  Same difference.

  STEVE

  Uhhhh, no? The difference …

  LINDSEY

  And who gives a shit, any - ?

  (DAN has entered through the kitchen door. Work clothes, mustache, chewing gum. He lingers at a distance.)

  STEVE

  (continuous)

  …is that they happen to be three distinct countries so, I guess I give a shit –

  LINDSEY

  (continuous)

  Steve. Steven. It’s whatever you want it to be, okay?

  LENA

  I’m sorry. I don’t mean to interrupt anyone, but –

  STEVE

  (continuous, lowering his voice, to LINDSEY)

  – and could you possibly not talk to me like a child?

  LENA

  (in the clear)

  Excuse me?

  (All turn to LENA.)

  LENA

  I was hoping to say something, if I could?

  STEVE

  (remembering)

  Oh oh oh.

  TOM

  Right.

  (to LENA)

  Sorry.

  (to LINDSEY)

  Lena had wanted to mention something and it sounded kind of important so –

  KEVIN

  (to LENA)

  But you don’t gotta ask permission.

  LENA

  I’m trying to be polite.

  LINDSEY

  We’re totally rude.

  KEVIN

  No, you’re not.

  LINDSEY

  It’s my family. Irish Catholic, you know? Blarney.

  KATHY

  (raising a hand)

  Please, my husband? Half-Jewish half-Italian.

  KEVIN

  Is that right?

  KATHY

  Get a word in edgewise.

  KEVIN

  I believe that.

  KATHY

  Anyway. Lena.

  LENA

  Thank you.

  LINDSEY

  Wait. Lena, right?

  LENA

  Lena.

  KATHY

  Short for Leonora?

  LENA

  No.

  KATHY

  I knew a Leonora.

  LENA

  It was my aunt’s name.

  LINDSEY

  (reminding herself)

  Anyway Lena, Kevin.

  KATHY

  (raising hand)

  Kathy.

  LINDSEY

  (indicating

  Kathy, Lindsey, Steve,

  STEVE

  And Tom.

  KEVIN

  Don’t forget Tom.

  LINDSEY

  Tom we know. So:

  DAN

  (from across the room)

  Ding-dong?

  (All turn to DAN.)

  STEVE

  Hey.

  DAN

  Hey.

  STEVE

  How’s it goin’?

  DAN

  S’there a Steve anywhere?

  STEVE

  Yeah?

  DAN

  You Steve?

  STEVE

  Yeah?

  DAN

  Hector said if there’s a problem talk to Steve.

  STEVE

  That’s me.

  DAN

  (to the others)

  How ya doing?

  TOM

  Hey. Good.

  KEVIN

  Doing all right.

  LENA

  Fine, thank you.

  DAN

  Uhh …

  (lowers voice, to STEVE)

  Quick question?

  STEVE

  (a quiet sidebar)

  Yeah?

  DAN

  So okay. So, we’re, uh, digging that trench back there, ya know?

  STEVE

  Yeah?

  DAN

  Out in back?

  STEVE

  Yeah?

  DAN

  For the conduit line?

  STEVE

  Yeah?

  DAN

  Know what I’m talking about?

  STEVE

  Yeah?

  DAN

  ’Cuz before you hookup that line you gotta bury that conduit?

  STEVE

  Yeah?

  DAN

  And so in order to dig that trench we gotta take out that tree, right?

  STEVE

  Right?

  DAN

  Dead tree back there?

  STEVE

  Yeah?

  DAN

  ’Cause those roots, they go down like maybe eight feet?

  STEVE

  Yeah?

  DAN

  Which is why we’re taking out that tree?

  STEVE

  Right?<
br />
  DAN

  Didja know that thing is dead?

  STEVE

  (rising)

  Hey. Maybe we should –

  (to the others)

  Sorry. You guys go ahead and –

  DAN

  Whoops.

  STEVE

  (to DAN)

  No no. It’s just - two things at once.

  KEVIN

  We can wait.

  STEVE

  No no no. You guys keep –

  (to DAN)

  You wanna show me?

  DAN

  Lemme show ya.

  STEVE

  Lemme take a look.

  DAN

  Show ya what we’re dealing with.

  (DAN & STEVE exit out the back door.)

  DAN

  (overheard to STEVE, as they exit.)

  Tell ya one thing though, it is hot out here.

  (LENA fans herself. A little pause, then:)

  LINDSEY

  Now I don’t remember what we were – ?

  TOM

  Page three

  LINDSEY

  Right.

  KATHY

  Middle of three.

  TOM

  So. Knowing as we do that the height continues to be the sticking point – and by the way, the reason the petition was drawn up this way in the first place – I mean, nobody wants to be inflexible, but the idea was to set some basic guidelines whereby if, say, the height is the problem, like it is here, then one option would be to reduce the total exterior volume, like your husband was saying. And that’s the rationale behind the table at the bottom of the page. So what those figures mean, essentially, is that, with each additional foot of elevation beyond the maximum limit, there’d be a corresponding reduction in volume. And the numbers are based on the scale of the original structures, which is relatively consistent over the twelve-block radius, and of which this house is a fairly typical example. Now:

  KATHY

  Except we know they’re not.

  TOM

  Not what?

  KATHY

  Not consistent.

  TOM

  Saying relatively.

  KATHY

  A lotta variables.

  TOM

  We know that.

  KATHY

  (beginning a list)

  The size of the lots, for starters?

  TOM

  Right, but –

  KATHY

  The year of construction?

  TOM

  Right, so the hope was that, by establishing a couple of regulations up front, hopefully we avoid this kinda situation in the future, ’cause, obviously, it’s a pain in the ass for everybody. Now, assuming the Landmarks Committee passes this part of the petition next week –

  KATHY

  Assuming.

  TOM

  Safe assumption.

  KATHY

  And if the Landmarks Committee really wants to pick that fight with the Zoning Department that is their business, but that’s a matter of if and when.

  TOM

  (to LINDSEY)

  Why is this confrontational?

  KATHY

  Because somebody might’ve raised these issues when the plans went to the Zoning Department five months ago.

  LINDSEY

  Kathy

  KATHY

  I mean, no one had any objection back then.

  LINDSEY

  (to KEVIN and LENA)

  Can I say? We talked about renovation. We discussed it. Because these houses are son charming and I know it’s a shame – but when you figure in the crack in the sub-floor and the cost of the lead abatement –and in a market like this one? It just made more sense to start from scratch.

  (TOM’s cell rings. He tries to ignore it.)

  TOM

  Right. But: the Owners Association has a vested interest – Kevin and Lena call me up last month, they say Tom, we’ve got this problem, these people are planning to build a house that’s a full fifteen feet taller than all the adjacent structures –

  LINDSEY

  Nooo … fifteen? Is that right?

  KATHY

  It’s exactly what the block is zoned for, Tom.

  TOM

  (continuous)

  – and I think we’d all agree that there’s a mutual benefit to maintaining the integrity– (glances at his phone) – the architectural integrity –

  LINDSEY

  Wanna get that?

  TOM

  – of a historically significant – god damn it – neighborhood. (answering) Yeah?

  (STEVE returns, as TOM talks on the phone, leaving the kitchen door open.)

  TOM

  (into phone)

  Yeah, okay, but don’t call me with that in the middle of a Satur– ? Well, then give it to Marla. Because it’s Marla’s account. Well, where the fuck is Mar– ?

  (to the others)

  Sorry.

  (TOM crosses the room to take the call.)

  STEVE

  What’s happening?

  LINDSEY

  I don’t know.

  LENA

  You know, it might be a good idea if we all turned off our phones.

  LINDSEY

  Excellent idea.

  KEVIN

  (to STEVE)

  Get your problem solved?

  STEVE

  Did what?

  KEVIN

  Out back.

  STEVE

  Yeah, I dunno. They hit something.

  LINDSEY

  What something?

  STEVE

  I dunno.

  LINDSEY

  Something dangerous?

  STEVE

  I dunno.

  LINDSEY

  Is it going to explode?

  STEVE

  It’s not –

  (to KEVIN)

  – We’re putting in a koi pond, and there’s a filtration system that has to hook into to the municipal – anyway, they ran into some kind of – whatever. So whatzit, page three?

  KEVIN

  But maybe wait for Tom?

  STEVE

  (with a laugh and a shrug)

  … standing right there.

  KEVIN

  If we’re getting into the legal stuff?